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FREE GUY 2021 SYNOPSIS: A bank employee, discovering one day that he is in fact only a background character in an online video game, decides to become the hero of his own story, even if it means rewriting it. Now evolving in a world that knows no limits, he will do everything to save it in his own way, before it is too late. Watch Free Guy online.
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Cinema and video games maintain a particularly colorful love-hate relationship, is it enough to know the details of the adventures of each adaptation of a video game saga on the big screen to see it. The examples are endless, and unfortunately rarely memorable. Resident Evil by Paul WS Anderson, Assassin’s Creed by Justin Kurze l, Sonic by Jeff Fowler: these are exciting industrial cases to dissect and analyze, although video game adaptation is clearly not a genre cursed in the eyes of a handful of successful products including in the works cited above.
But if this transition is so complicated, it is certainly due in large part to the fundamental differences in format between the two media, each offering in their own way radically opposed ways of telling stories. Thus, each adaptation has its share of rules to follow to be well received by the public: to manage to emancipate itself from its origin while ensuring a faithful transcription of the universe to manage to seduce both neophytes and hardcore fans who forgive. hardly the slightest narrative or visual deviation. However, the cinema is just as entitled to be passionate about the video game genre as it is about the literature that it has adapted since its birth.
It is for this reason that in recent years, cinemas have hosted films inspired by the world of video games without adapting a specific one. InRalph’s Worlds, a bad guy from an arcade game is fed up with his villainous position and decides to quit his game. In Pixels, aliens use our own video game figures to plan their invasion. In Ready Player One, a virtual world quickly became the only escape route for the entire population, and at the time of its creator’s death becomes the key to taking control of the whole of society.
And in 2021, Ryan Reynolds plays Guy, an NPC Non-Player Character from a video game who, by discovering the artificial nature of his existence, finds himself at the center of an industrial war between a completely hysterical and sassy boss and a duo of programmers in search of truth. It is this Free Guy, the new feature film by Shawn Levy, which we are talking about today, promising a jubilant spectacle with destructive humor that Reynolds knows perfectly well how to flood us.
First thing to notice when leaving the cinema: Free Guy is indisputably hilarious, managing with insane ease to juggle the tones and maintain this constant gap between this protagonist who has no idea that he is a character. fictional in a video game and these characters from the real world that he meets on every street corner.
Free City the game in question then takes forms reminiscent of the anarchy of multiplayer modes in GTA V where everyone shoots each other without warning, hits random passers-by, robs banks with the biggest weapons possible, and escapes. to unlikely car accidents. By adding that touch of fantasy and color that comes straight out of Fortnite, the artistic direction of the film is covered with this look of disorganized chaos which blows up everything to ultimately focus on Guy, probably the least interesting character of this roaster of charismatic figures and high in charisma presented by the plot.
So, like The Great Lego Adventure with which Free Guy shares a lot in common, the plot propels this nobody to the usual mechanical life of a non-playable character programmed to make millimeter back and forth movements by delivering his two-three unique lines in an existential quest where this Blue Shirt Guy will very quickly be designated as the real key to the victory of our protagonists.
Guy is thus particularly endearing by its smooth aspect which dissipates behind a touching and very fair questioning, giving this absurd protagonist in a world governed by the most arbitrary rules possible of the tragic asperities which then accompany the changes of register of the film.
Because Free Guy, far from being a concon blockbuster piling up for free the heavy winks to the biggest modern video games, is a real scriptwriting success, leading its atmospheric chaos towards ends and ever more original resolutions which conclude with great success this jubilant spectacle which refuses nothing to tell its story.
And all this remarkably established balance also holds a lot on the shoulders of its cast, led by an exemplary Ryan Reynolds of self-control, giving body to a touching and paradoxically very human protagonist while leaving the real heroes of the film a place of luxury. They, moreover, are interpreted with great talent by Joe Keery and Jodie Comer who have on their board some of the best moments of the film through their quest.
But such a film would be in vain without a good bad guy, this one taking the features of an unlikely hyperactive Taika Waititi, giving his Antwan an air of an ambitious and manipulative geek who manages, between two sublimely delicious lines, to build a real threat for our protagonists.
Shawn Levy signs with his Free Guy an undoubted success which is revealed little by little as brilliantly clever and formidably inventive mainstream entertainment, as enjoyable and jubilant as it is luminous. This dive into its chaotic and uninhibited Free City is the ideal summer adventure, a bright and inventive feel-good movie. At the helm of this battlefield in the center of which he reveals an immense heart and a lot of emotions, Levy signs a dense and epic film which manages to free himself from his inspirations to create his own place.
Free Guy is neither The Lego Great Adventure, nor Ready Player One, nor the Truman Show. Free Guy, it’s a hilarious and ultra-fun blockbuster that puts a big smile on its face while allowing its audience to escape for two hours into an unstoppable world. And even if locking oneself in virtual worlds has been our daily life for a lot in recent months, we can only rejoice over this terribly trendy Free Guy who will please young and old alike. This summer is tinted with the blue of Guy’s shirt and reveals under its absurdly oversized airs a real world much less virtual which also sorely needs heart, humanity and heroes in spite of themselves.
- Original Title: FREE GUY
- Directed by: Shawn Levy
- Casting: Ryan Reynolds, Jodie Comer, Lil Rel Howery
- Genre: Comedy, Adventure, Action
- Released: Aug 11, 2021
- Distributed by: The Walt Disney Company
With a setup that clearly resembles that of “The LEGO Movie,” “Free Guy” introduces us to the very likable Guy Ryan Reynolds, an NPC non-player character in a very successful open-world video game called “Free City”. . He wears the same outfit every day, orders the same coffee and goes to work at the same bank, which gets robbed several times a day by real gamers in this Grand Theft Auto game. He does not care.
Everything is great for Guy and his best buddy Buddy Lil Rel Howery until the cheerful guy spots a real player who goes by the handle Molotov Girl Comer and smashes his model, following the captivating woman down the street. As he becomes more and more interested in Molotov Girl and where she might go, he gets his hands on a pair of sunglasses that reveal what real gamers see in this world, including missions, med kits, hubs, and other things that will be familiar to modern gamers, though some technologies here already seem outdated.
Note: It was a brilliant move to incorporate real players and streamers like Ninja, Pokimane, and DanTDM, cameos that will blow children who know these personalities out of their seats.
Back in the real world, we learn that Molotov Girl is a programmer named Millie, who was working with another tech genius named Keys Joe Keery on developing a truly ambitious virtual game, which would replicate the real world at the instead of just giving players violent missions to accomplish.
She’s in Free City trying to find evidence that the egocentric game publisher Antwan Taika Waititi stole her code and twisted it into this bland experience when Guy turns out to be the perfect inner man. From the Trinity to his Neo, the two form an alliance to break up “Free City” from within, starting with Guy’s refusal to elevate his rank through violence.
Guy only chooses the positive missions of the game and becomes an internet hit as the world tries to figure out who this mysterious player could be, not realizing that he is in fact the most remarkable breakthrough in the history of the world. ‘artificial intelligence.
As Millie and Keys find out what has been created here, they strive to save the true advancement of brash capitalism.
Director Shawn Levy does an admirable job of clicking and humming Free Guy through several entertaining scenes in the first half, including a great montage of Guy’s good missions and a fun sequence in which Keys and his partner from Mouser lineup Utkarsh Ambudkar chase Guy, but he really starts to lose pace around the clock, reverting to a lot of the same plot points and themes.
Rather than developing its own personality, the film struggles to shake the clear influence of other projects like The Matrix, Ready Player One and even The Truman Show while dropping references with increasing regularity. real to gaming and pop culture.The best moments of the film embrace the potential of this concept.
For its promotional campaign, Free Guy stood out by reclaiming several video game successes. We find the protagonists of the film, like avatars, in game universes such as Among Us, Animal Crossing or Super Mario 64. A seemingly harmless campaign for a marketing operation that surfs on the subject that the film addresses, namely video games.
Except that this final step shows cynicism, by its desire to caress the viewer in the direction of the hair with references that he already knows. An opportunistic attitude, like the film it serves.
Let’s be honest for a minute: was it really to be expected originality reading the synopsis of Free Guy ? Guy’s Ryan Reynolds quest to change his NPC routine is reminiscent of the wish of a video game antagonist in Ralph Lauren. The simulacrum that serves him as a world without his noticing it brings us back to the cameras aimed at poor Jim Carrey in The Truman Show.
We must also rethink the fact that Artificial Intelligence has become a worn-out subject in mainstream science fiction, from Ex Machina to Rick and Morty.. But behind all these ingredients shaken tirelessly in the shaker, there is a director who still leaves one wondering for an inspired work: Shawn Levy.
Because before retaining the Shawn Levy who participated in the regressive nostalgia by producing Stranger Things, we must not forget the one who exuded a love for the Amblin culture by expressing a rare innocence in fantastic cinema. The most obvious example being La Nuit au Muséewhich, in three parts, questioned like a child what would happen if what was on display in the museum came to life.
Seeing him tackle an imaginary world inspired by video games then turned out to be promising for the spectacular naivety that it could offer spectators. The opening sequence, a digital sequence shot that shows the environment of the game Free City in a deluge of explosions, is particularly playful. We must also take into account the fact that the film promises an attack on the video game industry and its scourges harassment, theft of projects etc…, all embodied by an egocentric boss camped by a horribly farcical Taika Waititi.
In itself, Free Guy then turns out to be a film in tune with the times in the subjects covered. But this is its real limit: it is a film in tune with the times. He will thus recover the worst defects of modern American entertainment cinema: the real belief of the filmmaker in the world he films collapses by the too important part left to comedy.
And by comedy, we must translate as comedy by Ryan Reynolds. Where a recently released film like Hitman & Bodyguard 2 knew how to unbridle itself by leaving parts of comedy to its entire cast, the film’s comic engine inspires little to laugh when you realize that you are going to suffer the same bewildered number of a Reynolds who constantly caricatures himself.
As for the message on creative integrity, let’s not be fooled: this is a film produced by Disney. Behind a fiction that wants to chip away at the companies that swallow up independent labels which will be the narrative arc of the characters of Jodie Comer and Joe Keery, Free Guy has its share of sequences to the glory of the Disney empire, stuffed with references and opportunistic cameos.
Stuffed with these bugs of a deep cynicism, Free Guyis ultimately just another version of these generic and soulless blockbusters that are currently being created.
This observation could only have engendered a simple indifference, a polite ignorance. But it is difficult not to be annoyed to follow a film which shows characters revolting against a CEO to ultimately consolidate us in the world of a hegemony which encompasses everything in its path and which damages the imagination. and to those who project it. This is exhibited in a climax of around thirty seconds, a duration which may seem short but which does considerable damage to fiction.
Since the recent reopening of cinemas, the trailer for Free Guy has been widely distributed. Intrigued, the spectators discover what seems to be yet another action comedy to the glory of Ryan Reynolds.
And it’s certainly because these trailers mostly only use footage from the first 20 minutes of Shawn Levy’s new film that this impression is there. However, Free Guy is much more than a simple schoolboy comedy set in the world of video games.
Because where Spielberg has according to many missed his representation of the video game universe through Ready Player One, by offering a vision certainly spectacular but rather dated in his way of approaching the world of video games, Shawn Levy has managed to deliver a film incredibly fair and much more topical.
However, it is the screenwriter Zak Penn who signs the script for these two feature films, and we are very far from what many believed to be a sort of sequel / copy of Chris Colombus’ very average Pixels with Adam Sandler.
In a world reminiscent of the Grand Theft Auto franchise, an NPC non-playable character whose actions are programmed played by Ryan Reynolds suddenly finds himself endowed with free will and a conscience. Soon, he will have to use his faculties for a cause on which his whole universe is based.
Fans of anticipation and science fiction will think of Ready Player One, but not only that. Like Jim Carrey in Truman Show, Ryan Reynolds’ character discovers that his whole universe is fake and orchestrated to satisfy an audience. As in Dark City, Guy discovers that his city is fake and that his memories have been fabricated.
Like in The Matrix, a computer anomaly will give one mister everyone the power to make a difference. We have seen worse comparisons, and it is to excellent feature films that have become cult that this new film from the director of the very good Real Steel with Hugh Jackman reminds us.
Like many works that have become classics today, Free Guy is a film that can satisfy many audiences. While kids will certainly see cool entertainment in it, older viewers will grasp the depth of the plot more, while the pop culture fanatic audience will perceive many references. And these references, something rare enough to point out, are never forced.
No heaviness in the winks addressed to connoisseurs by Shawn Levy, quite the contrary. When the director calls on a known universe, it is always with relevance, taking care to intelligently integrate his geek references into his feature film.
Unlike Space Jam 2, Ready Player One or Les Mondes de Ralph, which did more fan-service than anything else, we are here facing a film that displays its references only out of passion, and never by appeal. of the foot, a bit like Who wants the skin of Roger Rabbit or Gremlins 2 in their time.
Whether you know the world of video games or not, Free Guy is accessible and no one will feel left out. The story, although located in a geek universe, remains a universal story that calls on major themes: love, the search for identity and purpose in life, the difficulty of creation, art, and criticism of the consumer society.
On the production side, there are no shortcomings to highlight. The pace is good, the images are beautiful, and the time is never long. The actors are all impeccable. Interpretation level, everything is in tune.
Ryan Reynolds who produces the film reassures us with a character much more controlled than the one he played without conviction in the laborious Hitman & Bodyguard 2, Jodie Corner offers herself two diametrically opposed roles in which she excels, and Taika Waititi regales as a silly and mean bad guy.
It’s very simple: we have NOTHING to reproach Free Guy. Is it the anxiety-provoking period that pushes us to get excited about a film full of good vibes? Was it because we expected nothing that we were surprised? Or is it simply because Free Guy is really THE pleasant surprise of this summer 2021? To find out, go to the dark rooms from August 11, 2021.
One day, a bank employee realizes that he is just a video game character. He then decides to take control of his existence, and incidentally to save the world in which he lives. Guy is a simple man. He works at the Free City Bank, enjoys the simple things in life like having a coffee with his friend Buddy. Despite a rather hostile environment, with numerous acts of vandalism, he never loses his zest for life and his optimism. Until the day when a woman arrives in his life and opens his eyes: he is only a video game character.
Worse, he is not even the hero, but a simple secondary role, a vulgar NPC non-playable character. Outch! But Guy is not going to let himself down; now aware of the artificiality of his existence, he intends to take his destiny back in hand and resolve the chaos that surrounds him.
An improbable cross between Truman Show and Ready Player One , Free Guy is a fully jubilant action comedy, led by a Ryan Reynolds who seems to be having fun like never before. The actor, also a producer, who carried the project for many years will not disappoint his fans, achieving a perfect balancing act between the spectacular and the humorous, between the cool and the emotion that sometimes comes to the fore and surprise. ‘hearing.
Above all, beyond the excellent performance of the actors, the film can also boast of an aesthetic and dynamic staging, like the initial sequence shot.
Explosive and enjoyable interlude, the footage is a little gem of its kind, offering a transcription of video game universes without ever falling into excess or fan service here we feel Shawn Levy has a better command of his subject than Steven Spielberg.
Multiplying the references to pop culture, without abusing it as much, these coming to integrate the story for specific reasons, Free Guy is one of those films which, behind their appearance of a big Hollywood machine, hides deeper issues, such as criticism of consumer society, or more universal questions love, art, creation, meaning of life Fun and sweetly wacky, this blockbuster is certainly one of the best of the 2021 vintage. Perhaps all the more so because it is the one we least expected.
This year, Warner Bros had Space Jam 2 to ridiculously promote all of its franchises. Disney a Free Guy. Except that this inspiration from the Truman Show is much more fun and especially at times successful. The real strength of Free Guy is Ryan Reynolds. The latter is excellent in the guise of the Blue Shirt Guy. Besides the multiple references Marvel, Star Wars, etc. it is the humor that is quite well balanced that allows the story to be really fun to follow.
There are unfortunately a few lengths that sometimes spoil the pleasure but Free Guy is a bit like a fast food. We are already hungry an hour later but we had a good time consuming it.
A bank employee, discovering one day that he is in fact only a background character in an online video game, decides to become the hero of his own story, even if it means rewriting it. Now evolving in a world that knows no limits, he will do everything to save it in his own way, before it is too late.
Where Free Guy works best is when it focuses on its comedy aspect. It’s funny, the dialogues are often fun and some lines hit the mark. It is therefore often funny and even if in the bottom of the wave, the film sometimes loses a little of its rhythm. Ryan Reynolds for his part is the real asset of the film.
Without him Free Guy wouldn’t have been so much fun at all. The actor has such self-deprecation that it works every time. In this mix halfway between the Truman Show and Fortnite, Free Guy tries to do what he can to think outside the box although he never really does. While Reynolds may be lacking in Carrey’s talent at times, he is nonetheless the film’s only real asset.
Apart from that, Free Guy is an entertainment that leaves no lasting memories, just that of a good time spent without taking the lead. The goal here is not to think and the family adventure clearly allows to seduce everyone. Free Guy is therefore a sometimes lazy film but which, thanks to a few good ideas, seduces.
My Opinion : 4/5. As a gamer, you are always very afraid of films like this, too afraid that they will do something wrong, or criticism or whatever. Here, an NPC or NPC in English dreams of change unlike his friends who always do the same thing all the time.
Moreover, if he leaves the frame, they are shocked and he immediately understands that he must not move too much for the moment but he is attracted to a girl he meets in the game.
Who is she?
What is she doing?
He who seeks and hopes for love, he cannot resist and approaches it.
This is how things change when he grabs glasses and sees things he never saw before. He then finds himself projecting into the game to which he belongs. In fact,Guy she will be able to do it. It really goes into anything at times and it’s quite successful. I didn’t like all or some of the characters but there is a lot of good.
Guy then has to level up to succeed in reaching that of MolotovGirl, the girl he is interested in. The thing is that the latter also feels things for him but she does not know that behind Guy there is strictly no player! Everything is worked extremely well, we find ourselves largely as a gamer. It is a film that cannot be told, it is a film to be experienced fully on the big screen and if possible in IMAX!
In summary, Free Guy is excellent both for its original script, the fact that we clearly find the world of video games but also thanks to a very good cast and Ryan Reynolds has a lot to do with it.
So even if it goes all over the place at the end, we find what we all know about the world of video games, the little subtleties that players will understand without any worries. Special mention on the Disney wink yes, since they bought the Fox, I just loved it! In short, a success this film, funny, entertaining, original, a small cinematographic nugget. A must see!
Returning to comedies and TV series like Stranger Things since his disappointing Real Steel in 2011, Shawn Levy returns to action cinema with Free Guy, a work set in the world of online video games. If the starting point has everything to seduce, this new feature film gets lost in its universe and its plot, little helped by action sequences of great banality.
Guy Ryan Reynolds works at a bank counter in Free City, following a routine that always begins with greetings to his goldfish, a scorching café creme and continues with robberies at his workplace, alongside the security guard Buddy Lil Rel Howery. But it doesn’t matter since Guy is an NPC non-player character of a very popular online video game, somewhere between GTA and its open universe where all mischief is allowed, and an MMORPG where the characters evolve according to the completed missions.. From the outset, the comic accent makes it easy to enter this somewhat smooth universe that is already out of step with what a player might expect from a video game.
If the NPCs are sometimes very limited in their dialogues and actions, the latter react, in modern games, to their environment while here, they ignore or naively submit to the actions of the players. A simple detail at the beginning of the film but which will weigh in the balance of scriptwriting bugs at the end of the day.
One day, a grain of sand disrupts Guy’s daily life. Falling under the spell of the avatar of a player, who is none other than the creator of Free City, Millie Jodie Comer, Guy rebels and goes over to the active characters. Millie, supported by her developer friend Keys Joe Keery, searches the game for a way to prove that the game’s publishing company stole her project – an inherently aberrant guideline. At the dawn of the launch of Free City 2, a grain of sand disrupts Guy’s daily life.
Falling under the spell of the avatar of a player, who is none other than the creator of Free City, Millie Jodie Comer, Guy rebels and goes over to the active characters. Millie, supported by her developer friend Keys Joe Keery, searches the game for a way to prove that the game’s publishing company stole her project – an inherently aberrant guideline. At the dawn of the launch of Free City 2, a grain of sand disrupts Guy’s daily life. Falling under the spell of the avatar of a player, who is none other than the creator of Free City, Millie Jodie Comer, Guy rebels and goes over to the active characters.
Millie, supported by her developer friend Keys Joe Keery, searches the game for a way to prove that the game’s publishing company stole her project – an inherently aberrant guideline. At the dawn of the launch of Free City 2,Free Guy could have positioned itself in satire of an environment where certain large companies tend to exploit its small hands and artists, while recycling its content to force players to regularly take out the credit card, but with a guignolesque boss played by Taïka Waititi, this slope is quickly abandoned.
Not very generous in its action sequences, too neat, engulfed in a mimicry of a more vehement cinema, Free Guyis weighed down by a particularly cutesy romantic frame but could have gained points for its approach to artificial intelligence, because Guy’s awareness constitutes a revolution – bringing closer to certain works on robotics.
But beyond the revolt of the oppressed, a track that will never come to an end, this element will be exploited to point the finger at the behavior of players, thirsty for violence. How to take such a look at the world of video games in 2021 when popular works have been offering peaceful universes for several decades? And even adventure or action oriented games also offer to work for good or bad, at the choice of the people behind their screen.
We have the feeling of being faced with a backward film, the opposite of the fabulousSteven Spielberg’s Ready Player One – along with one of his writers, Zak Penn. The whole does not seem ghastly thanks to the good-naturedness of Ryan Reynolds, a more or less punchy humor – but sometimes totally ineffective, like this burlesque gimmick of the character hit by a vehicle -, but Free Guy appears as a strange anomaly in the list films anchored in the gaming world.
Its plot could have led to a work as entertaining as it is thrilling, but it is probably too much to hope for from Shawn Levy, under the aegis of a still active Disney to resell a dose of Marvel and Star Wars alongside cameos exploited with stupidity, like that of Channing Tatum. During this summer devoid of notable blockbusters, Free Guy is only a dull mirage.
Welcome to Free City, an online multiplayer virtual universe a la Grand Theft Auto V, where players take on violent preference missions. Heists, shootings and explosions, without ever a drop of blood. Guy Ryan Reynolds is an integral part of this video game in which he is just an NPC non-player character, an extra who endures his life without asking any questions.
Every morning, Guy gets up, greets his goldfish, puts on his blue shirt, tirelessly orders the same coffee before going to work at the bank with his friend Buddy Lil Rel Howery. But following his meeting with a mysterious woman named Molotov Girl, Guy will realize his own existence and begin to exercise his free will.
But how can an NPC, a chain of 1s and 0s, experience feelings and question what it was coded for? In the real world, the first to be surprised are Antwan Taika Waititi, the undrinkable owner of Free City as well as the two designers behind the game: Keys Joe Keery and Millie aka Molotov Girl Jodie Comer.
For the two friends and longtime collaborators, Guy is the formal proof that Antwan stole the code of their artificial intelligence to integrate it into his game illegally. Millie has only one goal: to recover proof of her intellectual property. The only way for her to do this is through Free City even when enlisting Guy’s help. And, we had seen her coming, falling in love as she passed.
Unlike a large majority of films inspired by video games, Free Guy starts from an original screenplay by Matt Lieberman The Christmas Chronicles and Zak Penn Ready Player One. And this is the only original point that we can find him. It’s a happy mix of concepts seen elsewhere, we think of The Truman Show 1998, The Matrix 1999 or even Inception 2010.
However, it is difficult to criticize these references when we know that they are an integral part of the best moments of the scenario which has the merit of remaining a little refreshing, by questioning the evolution of artificial intelligence and its implications.
We regret that the most interesting ideas end up drowned in a flood of big budget action scenes. Not to mention an outdated love story the badass chick stunt that brings a lost guy back to life and turns him into a superhero, in 2021, really? And the meta jokes over and over again. Free Guy remains a pleasant entertainment, a summer blockbuster full of good feelings with which we will gladly spend 2 hours in theaters. The casting is undoubtedly one of the strong points.
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